Monday, November 30, 2009
Final Project
1. quality of the production (color-correction, lighting, print, presentation, craft etc.)
2. experimentation as shown through quantity of test shots and overall interest/innovation
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May 3rd you must turn in a cd containing the final iteration of each project. You must turn in one high-res 300 dpi version, approx. 8 x 10 in. and one 72 dpi, approx. 1024 x 768 pixels. Please name the images according to the project name, size, and your first name (for example wunderkammer_sm_gianna). If you made changes/improvements to your images beyond what you originally turned in, please let me know in an attached note. The projects that you turned in over the semester will be available to you for pickup at this time.
Sunday, November 29, 2009
Monday, November 16, 2009
Present your own work
November 23
-5 minute presentation on your own work
-Answer the same questions as you did with the artists this week.
-Show at least 10 images.
-Discuss your concrete intentions and your less-concrete ideals as an
artist/designer.
IMPORTANT: what is missing from your current portfolio in relation to
your goals?
Followed by individual meetings
TODAY (nov. 16):
write a list of strengths and weaknesses in your work. ask a friend if
necessary.
write one paragraph describing your work: commonalities, themes.
Tuesday, November 10, 2009
Angela Strassheim
Born 1969, Bloomfield, Iowa; lives in Minneapolis, Minnesota, and New York, New York
Before receiving her MFA from Yale in 2003, Angela Strassheim became certified as a forensic photographer. She did crime scene, evidence, and surveillance photography in Miami and, while working in New York, photographed autopsies. Her first exhibited work was a photograph of a naked woman on an unkempt bed who had committed suicide, and subsequent photographs feature a hospital X-ray room, a body in an open casket, and a bloody surgical saw. But many of Strassheim's vivid color photographs depict less dramatic, even banal, objects and figures, and she identifies her subject matter as "the Midwest and the middle-class American family with the dog, etc." Yet the lessons of forensics have lingered, and scientific detachment, meticulous symmetry, and clinical lighting pervade each of her images. The ropy blue veins in a close-up shot of an elderly woman's hands seem macabre even after we learn that they are those of the artist's grandmother.
Monday, November 9, 2009
Sunday, November 8, 2009
Olafur Eliasson
Nov. 9
Today in class:
1. individual meetings
2. Find images to correspond to each of your talking points - you must have at least 12 images of their work in your presentation.
3. Finalize the content of your presentation so you can spend the rest of the week working on your photographs.
Over the next week:
produce 2 photographs that demonstrate the ideas and process used by your artist. The images should not look like their work, but should be a mixing of their approach and your own ideas.
Nov 16
Their work + your work: presentation to the class. Is there an overall theme? Tell a story.
- 5-7 minutes on the artist. 5 minutes on explaining how your photographs relate to their ideas. Must be at least 10 minutes long. Must address the talking points and how you used their ideas as inspiration.